Ah, yes, the glorious celesta!
Sir Simon Rattle and the Berliner Philharmoniker
Ah, yes, the glorious celesta!
Sir Simon Rattle and the Berliner Philharmoniker
Here's something lovely for your Friday courtesy of Deutsches Symphonie-Orchester Berlin and Spanish violinist María Dueñas.
Fun fact: I was going to play "Aquarium" from Carnival of the Animals, but someone beat me to it.
Not the lollapalooza you were expecting, eh?
Here's a fascinating bit from Adams about the piece: "I was attracted to [the word lollapalooza] because of its internal rhythm: da-da-da-DAAH-da. Hence, in my piece, the word is spelled out in the trombones and tubas, C-C-C-Eb-C (emphasis on the Eb) as a kind of ideé fixe. The 'lollapalooza' motive is only one of a profusion of other motives, all appearing and evolving in a repetitive chain of events that moves this dancing behemoth along until it ends in a final shout by the horns and trombones and a terminal thwack on timpani and bass drum."
Conducted by Copland himself!
1976
Let's pick up the pace a bit, shall we?
My first idea for today was to go with something from the soundtrack of the film Glory, but I ran into trouble finding a live performance.
So instead I give you Quatuor pour la fin du temps by French pianist and composer Olivier Messiaen. He composed this piece while he was at a German POW camp during World War II, and the unusual combination of instruments is due to being imprisoned with several other musicians--who played clarinet, violin, and cello. The piece had its premiere in January 1941 in the Stalag VIII-A camp, with an audience of about 400 prisoners and German guards.
Looks like I get a bonus day!
Performance with eighth blackbird, February 5, 2011.
Enough of that short stuff! This is another longtime favorite, and in a full circle moment, it's played by the same orchestra as my first piece of the week. Thanks, all, for having me!
February 2023
If you don't feel awake yet, I bet this will do the trick!
Reading more about this piece, I was quite surprised to learn that it was first staged in June 1937. I had somehow assumed it was much older than that.