Category Archives: First Monday Book Day

First Monday Book Day: A Dickens of a Time

Drood: A Novel
I have been a big fan of Dan Simmons's work since I first ran across his Hyperion. The Hyperion Cantos, as the four-volume set is known, is a big-canvas space opera work, but one that is particularly literate, drawing liberally on the spirit of Keats as well as the structure and feel of the Canterbury Tales.

The first book in that group, Hyperion deservedly won both the Hugo and the Locus for best sci-fi novel in 1990.

I likewise devoured his Ilium and Olympos cycle, big on Homer, but also drawing on Shakespeare and Proust, of all people.

Simmons also is a renowned horror author. I thought it time to delve into that side of his work when I picked up a copy of this book some months ago.

Well, I'm not sure that "horror" is quite the right word for this book. But, wow, it has been engaging. Simmons has fictionalized the backstory to Dickens' last, unfinished novel, The Mystery of Edwin Drood, telling the tale through the perspective of Dickens' longtime friend and frequent collaborator, the now-mostly forgotten Wilkie Collins.

The book is a fascinating study in upper(ish)-class Victorian England. Simmons appears to have thoroughly researched Dickens and Collins (although I admit that I know little of either, so mebbe not?), such that he weaves an intimate portrait of Dickens as seen through a close collaborator's eyes. That collaborator happens to be a laudanum addict and, by mid-book, an opium addict, which adds its own mysterious fog to the veracity of the narrator's perspective. The detail -- of London, of daily life, of the lives and careers of Dickens and Collins -- is rich and believable.

I'm "only" 400+ pages in to this dense, twisting, 775-page tale. But I'm thoroughly entertained and engaged. (and, sorry, but even though I know that knowing the ending won't ruin a good story, I haven't peeked ahead).

What are you reading?

First Monday Book Day: Pinch-Hitting Edition

I remember the first times I read Neuromancer and Mona Lisa Overdrive. Or, at least, I seem to remember them. The memory places me in the middle of summer, up in my old bedroom which hangs out over my mom's driveway. The windows are open and the fan is struggling to move the hot, soupy air around the room. The prose, though, was cool, whisking me away to Chiba City, the Sprawl, and Freeside.

Reading The Windup Girl reminded me a good bit of my first read of those Gibson novels, but there's one significant difference: this feels like a winter book. While Gibson's writing has a hard, cold edge which evokes the hardboiled detective genre, Paolo Bacigalupi's prose is humid and his world opaque, a dense hazy world centered in Bangkok of the near-future. However, regardless of whether you've ever been to Thailand, you'll spend the first hundred or so pages trying to figure what on Earth the novel is to be about. The plot begins at the end of Chapter Eight. Prior to that it's an exercise in hacking your way through a jungle of prose, trying to orient yourself in the complex setting, and frankly, it's not the easiest book to get into. It's plenty good, don't get me wrong, but you do have to work at it a bit.

Once there, you're immersed in a post-oil, nearly post-carbon fuel world, a world at the mercy of multinational agribusiness, whose genetically modified crops are intellectual property to be pirated by genehackers, to be resisted by the Thai government, and whose engineered plagues are designed to kill native crops, creating new customers for engineered food in the wake of bioterrorism and famine. Motive power is provided by humans and GMO beasts of burden on the ground, by sails across the oceans (in trimaran clipper ships), or by dirigibles in the air. Special springs are used to store energy and can provide limited amounts of locomotion. One character speaks of his grandparents, who could not make the journey from suburbia to city center following the oil collapse, which is known in Bacigalupi's world as the Contraction. Several generations have passed since that initial shock, and the world has reformatted itself into a calorie-based economy, one that some Thais are desperately trying to keep at bay.  Mercifully, the world is presented matter-of-factly and not dogmatically.

From that kernel the book spins outward, simultaneously a book about an expatriate "calorie man" (with more than a touch of The Quiet American about it), palace intrigue and intra-governmental agency turf wars, and the windup girl Emiko, a beautiful creature genetically engineered in Japan for servitude and pleasure. Abandoned in Bangkok by her previous owner, Emiko seeks freedom beyond the seawalls of Bangkok, but as a windup she's contraband, one bad step away from being mulched by the Environment Ministry or slaughtered in the street by nearly anyone. The world is dystopian, but in a much hazier, hotter, and humid way than usually encountered. In this world, ice is a luxury, ironically one which a luxury item like the windup girl needs for survival. You'll find yourself seeking a cool place to read as you press on through the story.  If you're into science fiction, which a good number of Citizens appear to be, it will be worth your while to check this book out.  Pick it up from the library, though, lest it not grab you before you make it through those first hundred pages.

What are you reading?

First Monday Book Day: A Song of Blood and Betrayal


Happy Independence Day, Citizens. In celebration of a holiday born of revolt, I bring you Book Two of George R.R. Martin's magnificent A Song of Ice and Fire series, A Clash of Kings

Martin paints on a grand canvas, maintaining threads for each of the Starks as well as a small handful of others. Don't be fooled. I'm most of the way through the third volume Everybody Dies. Martin has no compunction whatsoever about sucking the reader in to a character and storyline, only to snuff it out.

Joseph Campbell, in his The Hero with a Thousand Faces, describes the classic "hero's journey" thusly:

A hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.

This volume gets the "fabulous forces" and "mysterious adventures" in gear, larding on layers of myth, macabre and magic only hinted at in the first book. But who the hell are the heroes in this series? I've identified several potentials, only to see them offed. Other characters who, to all appearances seemed to be cast as villains, he rehabilitates with a change of perspective and/or circumstances.

I'm smitten at the same time. Martin is a brave and compelling writer. The stories twist and turn in unexpected ways, while maintaining a dramatic tension often lacking in Robert Jordan's more ponderous Wheel of Time series. The characters are more real, more engaging and more bloody too. Just what a day of ice (in the drinks), fire (on the grill) and fireworks needs!

What have you been reading?

First Monday Book Day: The age of recycling

The oldest trick in the literary book is to re-write somebody else's story. And of course, it helps to steal from really good stories.

This month's selection, James Lovegrove's The Age of Odin, is the third in his non-trilogy threesome of godpunk/military scifi retellings of ancient mythological stories. Here, it is Ragnarök with M16s and RPGs.

I was suckered into purchasing this number by the back-cover blurb from The Guardian (actually about another of the three books), "The kind of complex, action-oriented SF Dan Brown would write if Dan Brown could write."

Seriously. I was so amused that the publisher (Solaris Books) had the balls to take such a swipe at another writer on the cover of the book that I gave this one a chance. Now that I have, I will offer my own version of the plug: "The kind of pulpy, shallow action-oriented SF that Neil Gaiman would write if he were 15."

Ok, that's a bit harsh. I found this book mildly entertaining, if derivative (some of the ideas appear to be lifted from -- err, homages to -- Gaiman's fantastic American Gods; in both, the protagonists meet up with more-than-he-seems-to-be old man after a car accident; Gaiman's kills the protagonist's wife; Lovegrove's kills his ex-army buddy; etc. etc.). Lovegrove isn't overly interested in developing either story or character, but he seems to be pretty good at writing blood-and-gore fight scenes. Pretty much the whole book is fight scenes.

This is beach reading, perfect for a teenage boy who has already seen Thor and X-Men: First Class, waiting eagerly for Green Lantern to open. Disposable, largely devoid of any effort to raise Big Ideas, and somewhat hampered by a rather clumsily done development of the bad guy (Loki) as a thinly veiled Sarah Palin. Oooh, so topical! But it reads quickly for its 585 pages. And, perhaps most importantly, it got me in the mood to start George R.R. Martin's A Song of Ice and Fire series.
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First Monday Book Day: Dram-atic Adventures

Programming Note: This is a Very Special Episode of First Monday, as it features contributions from both bS and Daneekas Ghost. Enjoy!

Book bS
Man, these are tough times around the Nation. Tough times require tough action. Fortunately, I chose a book this month that fits the times -- a book about whiskey.

I picked up a hardback copy of Kate Hopkins' 2009 book, 99 Drams of Whiskey: The Accidental Hedonist's Quest for the Perfect Shot and the History of the Drink for a song at my local used book store recently.

What is whiskey, you ask? Why, whiskey is mediocre beer made over into nobility.

If when you say whiskey you mean the devil's brew, the poison scourge, the bloody monster, that defiles innocence, dethrones reason, destroys the home, creates misery and poverty, yea, literally takes the bread from the mouths of little children; if you mean the evil drink that topples the Christian man and woman from the pinnacle of righteous, gracious living into the bottomless pit of degradation, and despair, and shame and helplessness, and hopelessness, then certainly I am against it.

But, if when you say whiskey you mean the oil of conversation, the philosophic wine, the ale that is consumed when good fellows get together, that puts a song in their hearts and laughter on their lips, and the warm glow of contentment in their eyes; if you mean Christmas cheer; if you mean the stimulating drink that puts the spring in the old gentleman's step on a frosty, crispy morning; if you mean the drink which enables a man to magnify his joy, and his happiness, and to forget, if only for a little while, life's great tragedies, and heartaches, and sorrows; if you mean that drink, the sale of which pours into our treasuries untold millions of dollars, which are used to provide tender care for our little crippled children, our blind, our deaf, our dumb, our pitiful aged and infirm; to build highways and hospitals and schools, then certainly I am for it.

This is my stand. I will not retreat from it. I will not compromise.
--Noah S. Sweat, Jr., 1952

I'd dare say that we need a song in our hearts right about now.
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