Sophie Xeon passed away at 34 this weekend.
Max Roach, drums; Abbey Lincoln, vocals; Eddie Kahn, bass; Clifford Jordan, tenor sax, Coleridge Perkinson, piano.
Live on Belgian television, possibly circa 1964. Roach’s We Insist! Freedom Now Suite is a landmark jazz album and an artistic jewel of the Civil Right Movement.
We get two pieces of ”Tiptych: Prayer/Protest/Peace” here. I’m not sure why the third was not included on the video, but it’s worth a listen to complete Roach’s thought. (Follow the link above.) He doesn’t simply “Peace” as a nirvana state. It’s jagged, weary, even incomplete.
”Tears for Johannesburg” was Roach’s artistic reckoning with the Sharpsville massacre, which I’d encourage you to read about — particularly right now.
Juneteenth marks the last arrival of the news of an emancipation formally proclaimed two and a half years earlier. By the time of its arrival in Galveston, the proclamation’s author had been reelected & assassinated. We should not forget that slavery continued in a couple Union states until the 6 December 1865, when the Thirteenth Amendment was ratified and finally abolished the practice. Nor should we forget that last Union state to ratify that amendment was Kentucky — on 18 March 1976.
Johnson’s amnesty, Reconstruction’s failure, Jim Crow, the mass perpetuation Lost Cause myth, federal anti-immigrant laws, segregation, and redlining thwarted a national reckoning with the political, social, and moral devastation of slavery & racism for generations.
Juneteenth’s rightly a day of celebration. It’s also a reminder of how far we yet have to go as a country, how fragile progress can be. It is a call seeking a response, because the work of emancipation remains incomplete.
A WGOM debut. Mrs. Hayes & I saw the Sons of Kemet in the People’s Republic in October 2018. They were touring in support of their album, Your Queen is a Reptile, which was one of my favorite albums of 2018. Shabaka talks about the idea behind the name of the album & each track in a brief commentary at the end of the video.
Florian Schneider, co-founder of Kraftwerk, has died at the age of 73.
This album is still so intriguing to me.
Luka Dončić played us the song of his people yesterday, so we'll do the same.
My favorite song of the year. The recorded version from Aviary is nothing short of swoon-worthy. This live version ain't too bad, either.
Cecil reminds me of the title of the old Bukowski book Play the Piano Drunk Like a Percussion Instrument until the Fingers Begin to Bleed a Bit.
2 Jul 1972
Lost two members of this band this year.
Still need to pick up her latest...