Still need to pick up her latest...
2016
Still need to pick up her latest...
2016
We must never let love die.
This song was written and first performed at the Westbury Music Festival three days after the assassination of Martin Luther King, Jr. Below is that original performance in full:
7 Apr 1968
This is not William Tyler's WGOM debut; last year Bootsy spun "Geography of Nowhere," a cut from Tyler's 2013 album Impossible Truth. He released his follow-up album, Modern Country, this June. Tyler wrote it in Oxford, Mississippi, and recorded it in Eau Claire, Wisconsin.
For me the album evokes a contemporary perspective on Gram Parsons' Cosmic American Music, a genre that blurs country, folk, rock, soul, and bluegrass. Jazz is very much Tyler's addition to this mix – you can hear guitar greats Chet Atkins, Les Paul, and Bill Frisell in this track as much as Parsons' take on country-rock. Listen hard enough and you'll hear some Link Wray & Dick Dale, too.
I used to be trouble, but I found some light.
https://www.youtube.com/watch?v=T5fHpC4Wux8
03 Nov 1975
Here's a good song to make an entrance to at work today.
1965
We regret to inform you that vibraphone virtuoso Bobby Hutcherson has also passed away at the age of 75.
1977
New Orleans jazz clarinet great Pete Fountain passed away in New Orleans yesterday at the age of 86.
Not sure what song this is, but it's a good one.
2016
What makes a vocal artist truly incomparable? Power? Range? Fluidity? Tone? Idiosyncrasy of delivery? Some singers have all three: Hank. Ella. Sinatra. Odetta. Sam Cooke. Elvis. Little Richard. Johnny Cash. Ray Charles. Patsy Cline. Otis Redding. Aretha. James Brown. Diana Ross. George Jones. Wilson Pickett. Nina Simone. Solomon Burke. Mavis Staples. Al Green. Dolly Parton. Marvin. Stevie Wonder. Tom Jones. Freddie Mercury. Prince. Tina. Michael Jackson. Chris Cornell. Adele. Gregory Porter.
Cécile McLorin Salvant has all those same qualities. She sings in a genre not many people are listening to anymore, but she's only 26. She'll be on that list someday. One more from the same WNYC session:
There are some amazing, groundbreaking jazz trumpet players out there right now: Tomasz Stanko, Christian Scott aTunde Adjuah, Avishai Cohen, Enrico Rava, Arturo Sandoval, Ambrose Akinmusire, Terrence Blanchard... and Ibrahim Maalouf. Maalouf's music blends the sonic landscape of his Lebanese heritage with classical training at a Parisian conservatory, a self-cultivated jazz impulse, and funk-inflected rock.
I gave you the longer, more intimate, small-venue live cut of "True Sorry," but if you like it I hope you'll check out this more expansive, atmospheric live recording made possible by the concert venue a Alcaline. I don't think I can pick between them.
I know you may have been expecting a video by Prince today. Instead, I'll leave you with footage of Ibrahim Maalouf in concert, showcasing a sound that embraces everything Prince stood for (and which he would have most certainly dug):
https://youtu.be/YYDOIzmAQxQ