Thanks for having me.
https://youtu.be/peepdXvk4QY
Thanks for having me.
https://youtu.be/peepdXvk4QY
Searching the basement archives and seeing this song hasn't been played. Correcting that oversight now.
Strong Almost Famous vibes on this Kinks cover song
From The Old Grey Whistle Test
https://youtu.be/y5DW1LuFGjs
Welcome to davidwatts week. Let's get heavy with Joe Walsh.
These seven early-twenty-somethings are part of the same South London scene that produced Black Midi, Squid, and yes, Dry Cleaning. It's virtually impossible to categorize their music, (other than avant-garde), as they mix such disparate elements as post punk, math rock, klezmer and free jazz among their influences. From their 2021 debut album For the First Time. I was gonna play "Black Sunglasses" --the first song of theirs I was introduced to--it's brilliant! Unfortunately, the lyrics to that one are decidedly NSFW. However, if you’re intrigued by “Opus”, you really need to check it out. As one witty You Tube commenter said of "singer"/guitarist Issac Wood, "I like my vocalists to sound like they're standing on a window sill yelling at a police negotiator." Perfect.
I've started listening to a lot more classical music in the last year*, mainly by streaming MPR's classical station. By luck, I heard this flute piece by Yuko Uebayashi and was thoroughly hooked.
*It's interesting how technology can shape our listening habits. I had been working from home on my personal laptop since the pandemic hit, but the IT department was upgrading laptops, so I finally got one. It's a big improvement for doing work (larger screen, easier access to stuff on the server), but I don't have any sort of music streaming service on it, so my listening habits shifted accordingly.
Youssef’s grandfather was a muezzin in his native Tunisia, and that influence is a strong draw for me. For a couple of months, once upon a time, I would end my twelve hour night watches with one last Sumer, savored as the muezzin announced the adhan for Fajr about 75 meters away. Those were some of the most peaceful moments I’ve known.
Youssef’s vocals are incredible — the finesse of his phrasing, the extreme upper falsetto and how cleanly he accesses it, the warmth of his lower range.
Here he’s joined by a knockout trio of future legends — Matt Brewer on bass, Ferenc Nemeth on the kit, & Aaron Parks on the keys.