The Twins quest for 90 losses wraps up today. Charlie Barnes get the coveted Closing Day start, and all I really want to see is Byron Buxton hitting some homers.
At the end of the season, it seems like we should look back an
The Twins quest for 90 losses wraps up today. Charlie Barnes get the coveted Closing Day start, and all I really want to see is Byron Buxton hitting some homers.
At the end of the season, it seems like we should look back an
List of statistical facts?
List of statistical facts.
José Berríos faces off against the Twins today. For the sake of the standings, I think I'll root for him.
- hungryjoe
This was pretty much what I was going to write about the Twins first matchup against their former ace. I want José to be great and have success more than I want this version of the Twins to win their 66th game today.
Berríos has pitched into the 7th inning in each of his last four starts. He's struck out 30, walked 2, and allowed 7 runs in 27.1 innings. His Game Score has been 60+ in each of those starts. He's kind of on a roll.
Whatever the definition of rock star is, Marissa Paternoster is more than that.
Give me your weird music.
Weird by any definition. I'm always interested in just how atonal music can be before I decide I just don't like it.
This one toes that line pretty closely for me.
The guitar solo in "Water" also makes me love Ohmme just that much more. Musicians should do weird stuff. (at 12:43 in the video below)
Anna Thorvaldsdottir might be my current favorite composer. This piece is amazing, I think it's how the foundational note stays present through the entire piece. It's not a drone so much, but just a bedrock that holds throughout. Then so much of everything else that's going on feels like fragmentation. And then the last three minutes have the foundation tone in the cello, the gorgeous melody passing back and forth and the falling, descending ethereal gestures as well... It's so good.
Spektral Quartet just released a recording of her piece "Enigma" and it's really great.
One of my favorite finds of the last year or so. Loud and melodic, plenty of sustains and plenty of rhythm. Just like I like it.
The staggered rhythm really gets me in this piece. The cello is gorgeous (cellos always are), but putting it over the rhythmic voices and the just a little bit not steady beat makes this a piece I always instantly recognize and am excited to hear again.
Notes from the composer, Nathalie Joachim:
Dam mwen yo in Haitian Creole simply translates to “they are my ladies.” In Haiti, the cultural image of women is one of strength. They are pillars of their homes and communities, and are both fearless and loving, all while carrying the weight of their families and children on their backs. As a first generation Haitian-American, these women—my mother, grandmothers, sisters, aunts, cousins—were central to my upbringing and my understanding of what it means to be a woman. In Dantan, Haiti-Sud, where my family is from, it is rare to walk down the countryside roads without hearing the voices of women—in the fields, cooking for their loved ones, gathering water at the wells with their babies. This piece and the voices within it are representative of these ladies—my ladies. And the cello sings their song—one of strength, beauty, pain and simplicity in a familiar landscape.