h/t DW(1 votes, average: 6.00 out of 10)
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Today I'll be off on my annual 175-mile weekend bike trip on the Paul Bunyan trail. It's a lot of fun and even though I will burn probably over 10,000 calories riding my bike, I will also consume close to that same amount of beer (and food).
I'm long past the day when I would listen to music while I rode, way too dangerous for this guy with all the distracted drivers out there but I know people who still do. But it got me thinking about travel music. Is there a certain band or kind of music you like to listen to while traveling? For me driving doesn't matter, I can take any kind of music. However, for some reason I have always thought R.E.M. goes well with train travel. Back when I lived out east and also was in Europe, I would always listen to R.E.M., it just kind of brought me back in time and was complimentary to the motion of the train.
Any specific travel music you enjoy? Or not. Don't forget to drop your lists.
Not sure how this song hasn't ended up on the mix before. Definitely quintessential summer stuff.
They can't all be "start" songs.
Here's some classic rock for everyone.
Here's some crazy old wizard singing a Bowie tune.
I thought I played this before but after some review it looks like I have not. Either way, I have found myself on a bit of a R.E.M. kick since the group called it quits. This, I think, is my favorite number from the group.
With some lady named Patti.
There was a little chatter about the R.E.M. retirement last week but I thought they deserved a video. Most people under 30 don't get them but to a certain group of people this band was pretty important.
Here are the guys in 1983, on Letterman.
It’s hard to describe how much a breath of fresh air Murmur was in 1983. Punk was a spent force and spandex clad hair bands were beginning their mighty popular rise -- a force that would go unabated for over 10 years (thanks Nirvana!) As with most 20 year olds college kids at the time, I was discovering all the punk and post-punk I missed living as a teenager in suburban flyover land. However there wasn’t much that was new, that I could call my own. Then came Murmur.
To be honest, I don’t remember exactly where or when I first heard Murmur but I do remember being pretty much an early adopter of the band. It really was something that you never heard before. Finally a band that belonged to you and your friends and not to a bunch of jaded old punks, self-important baby boomers, or long-haired hippies. Critics talked about “jangly” guitars like the Byrds but I never heard that. It was dreamy, atmospheric with lyrics that were indecipherable and the lyrics you could hear didn’t make any sense. Here is the first verse of Radio Free Europe:
Beside yourself if radio's gonna stay.
Reason: it could polish up the grey.
Put that, put that, put that up your wall
That this isn't country at all
Don’t worry Michael Stipe doesn’t know what it means either.
Any band can do dreamy and atmospheric but what makes someone want to listen over and over again is that the songs have to be good, even if you can’t understand the lyrics, and Murmur is full of good songs. Radio Free Europe was the big hit of course even if Cities 97 has played it to death. Pilgrimage, Talk About the Passion, and Shaking Through have always been favorites. Catapult has a perfect bass guitar and drum opening that’s never been done before or since. Mike Mills was the most accomplished musician at the time the album was recorded (bring it you Pete Buck defenders!) and you can tell as the bass work is exquisite. Michael Stipe’s voice really is a 4th instrument and the arcane lyrics add to the moodiness.
A great example of Stipe’s vocal work is in Talk about the Passion. During the end of the second verse there are strings accompanying Peter Buck’s guitar. It repeats its refrain and then Stipe’s vocal humming comes in right with the strings and you literally cannot tell where the strings end and the vocals begin. Truly an amazing song. Peter Buck’s guitar on Shaking Through is simple yet adds a complexity to the song as it complements the vocals and a piano.
I’ve enjoyed this album for nearly 30 years and I cannot even think of not having it for another 30, it’s simply that good. The songs have many layers and can be uplifting when you need a jolt or quiet when you need some introspection time. You can focus on a specific musician or have the songs wash over you like a shower. Regardless of what kind of music you like, this is one album that crosses genres and should be in everyone’s collection.
all right, for this special occasion, i really wanted to play "darker with the day", the stunningly beautiful finale to nick cave and the bad seeds' equally beautiful 2001 release no more shall we part. alas, except for a couple of blurry coffeehouse troubadours, there were no live performances to be found (i do recommend clicking on the above link in its stead).
barring that, we'll go for the obvious, hackneyed choice (as bS already scooped the blondie cut).
happy rapture, everyone!